The album’s penultimate track is Franz Schubert, a gentle arrangement of Europe Endless without song and drums, and perhaps also a nod to the German-speaking music tradition they were a part of. The title track was inspired by the eponymous rail line that connected most of Western Europe in the 1970s. The first track, Europe Endless, is perhaps the clearest indication of this hope for the future. Kraftwerk recorded their sixth album, Trans-Europe Express, in 1976 with an optimism that has seeped into the music. Starting at a kind of new beginning, Kraftwerk created technically and artistically ground-breaking music that in turn has inspired all kinds of composers and musicians. They perceived themselves as continuing the legacy of the entertainment music of the Weimar era, with strong influences from Karlheinz Stockhausen’s state-of-the-art electroacoustic works. Kraftwerk had no role models in contemporary pop music. It’s almost impossible to discuss modern electronic dance music without mentioning Kraftwerk, founded in 1970 by Florian Schneider, who recently passed away, and Ralf Hütter.
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